Then we have the spark that causes the outbreak of вЂrageвЂ™, a virus seemingly the result of poorly judged science. Not only do we do great evil to ourselves, it seems to say, but we cannot even allow the more benevolent animals in our midst to remain separated from that realm of inherent cruelty.

The first thing we see is depictions of mankindвЂ™s privation, shots of rioting, fighting and violence, subjected to a barbarically restrained and imprisoned chimpanzee. While this theory may have been better justified had the film not featured its ultimately unnecessary prologue sequence, its presence does possess some traits which add weight to such a hypothesis, a quick stab at exposition set up used as the cloak for a 2001 style indictment of humanityвЂ™s failings. Interestingly, many of the crucial creative choices by Boyle and screenwriter Alex Garland, here producing his finest script, lend credence to the notion that all is not what it seems within 28 Days Later, and that its bleak atmosphere and constant mood of perilous dread in fact serve to a more simple symbolic agenda this survival thriller is in fact a candid, misanthropic and brutally cynical metaphor for the grind of everyday, normal life in our very real world. Simple tricks such as subverting standardized niche tropes and avoiding use of the вЂZ wordвЂ™ were combined with a sweepingly ambitious, more pragmatic route of plot as its small band of heroes looked for survival and hope in desolated Great Britain.

The film that regained Danny Boyle his red hot status after the wrong turn represented by A Life Less OrdinaryВ and The Beach, 28 Days Laterserved as a refreshingly original take on a zombie horror sub-genre that enjoyed a new lease of (undead) life in the intervening period following its success.

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